Cementing The Seams

The Plot Sickens

     


"As Seen From Above" is the Chicago math-rock band Dianogah's (like the garbage snake in Star Wars) debut full-length.  It's one of the few (mostly) instrumental albums I always think about whenever I suggest that I don't like instrumental music because obviously I'm lying.  Probably the most interesting thing about Dianogah, and certainly the reason I bought the album years ago, is that they don't have a guitarist.  This isn't strange, lots of bands don't use guitars, but instead of using alternative methods Dianogah just employs 2 bassists to achieve their unique aesthetic, an idiosyncrasy that pays dividends.  
 
Dianogah released two more records in the early part of the decade and then finally "qhnnnl" in 2008 which caught me totally off guard.  Both because I didn't expect the release itself, and it was so far removed from their first album.  Over their last two albums they added a guitar, keyboard and exponentially increased the amount of vocal recordings.  I suppose this qualifies Dianogah as "experimental" and I'm sure a lot of people consider this to be true.
 
up next:  more old shit from my cd collection

For fans of: Other Men, Shellac, Faraquet

 


On the list of albums that I foresee being on my “best of 2009” list, Shelflife is the first. A mix of math-rock and instrumental post-rock, Shelflife’s self-titled debut is a monument of both genres. One of my more embarrassing musical admissions is this: I don’t really like instrumental music. This is strange for two reasons: one, I don’t pay particular attention to lyrics, in fact they’re one of the last things I listen to. Two, I appreciate certain music almost exclusively for its composition (e.g. most of the screamo genre, although maybe this is a bad example). Also it’s pretty much just plain silly, but I digress. Shelflife are from Denmark and they play damn smart and only most of their record is instrumental. Oh AND they’re giving it away for free. Here. Shelflife meets somewhere on the sonic road somewhere between post-rock poster boys Explosions In The Sky and mathy (I really misuse this descriptor) emo bands like Seattle’s Juno, or DC wackos Smart Went Crazy. Do them and yourself a favor, download their album and give it a listen. Plus with song titles like “My Several Experiences With Genies” and “Infinite Landscapes of Pillows and Blankets” how could you go wrong.

For Fans of: Explosions In The Sky, Juno

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